He has read the critical brickbats, the complaints lodged by fellow jazz musicians. The chart-topping, Grammy-winning, multi-multi-multiplatinum-selling pop saxophonist - who released the most successful instrumental album ever in 1992 and is almost single-handedly responsible for creating the smooth-jazz radio format now inextricably associated with elevators, dentists’ offices, and waiting rooms - knows people hate him. “It was very clear to me that he doesn’t give a shit.” “I wouldn’t have approached Kenny if I thought he was going to be super-sensitive,” Listening to Kenny G director Penny Lane explains.
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